You see them on street corners, at gas stations, at shopping malls. You see them at blowout sales and grand openings of all kinds. Their wacky faces hover over us, and then fall down to meet us, and then rise up again. Their bodies flop. They flail.
They are men. Men made of tubes. Tubes full of air.
[An “AirDancer” from LookOurWay. Credit: Sam Greenspan]
Depending upon your tastes, they are either full of ridiculous joyful exuberance, or the tackiest thing in the world.
A number of cities across the US have actually banned the use of tube guys. An ordinance in Houston enacted in 2008 proclaims that dancing a tube guy “contributes to urban visual clutter and blight and adversely affects the aesthetic environment.”
Some may seem them as visual clutter now, but they have ancestry in stunning works of Caribbean art.
The tube guy origin story begins with celebrated artist and “mas man” Peter Minshall. He made a name for himself in Trinidad & Tobago (and beyond) for his Carnival bands, featuring larger than life puppets which dance through the street to the beat of Calypso music.
In the early 1990s, Peter Minshall had gained fans among members of the planning committee for the Olympics and in 1995, he found himself in a stadium in Los Angeles working with a bunch of different artists, trying out different ideas for the opening ceremonies for the Atlanta Games the following year.
As Minshall tells it, he was was trying to do something using inflatable tubes, but it wasn’t working. And then Minshall realized that if they were made to look like people, they would dance just like people did back home in Trinidad & Tobago—limpid, loose, and gracefully...
After the Olympics, Doron Gazit applied for a patent for “apparatus and method for providing inflated undulating figures,” in 2001. He then began licensing its use through his company, Air Dimensional Designs.
This became a point of tension between Gazit and Minshall; Minshall had been unaware of Gazit’s intention to patent and monetize the inflatable figure. Gazit, for his part, says that he applied for a patent because he put a lot of research and development into making the “flyguys” (as Gazit calls them), and he was already starting to see other people people rip off his efforts...
However, Gazit’s company, Air Dimensional Designs, does continue to license its patent to various companies that manufacture and sell vertical inflatables. One such company is LookOurWay, which in addition to making “AirDancers,” also sells “Air Rangers.”
Turns out that vertical inflatables also make for good scarecrows. Farmer Gary Long, who helped develop the Air Rangers, says that bird damage in his orchard of honeycrisp apples went from 20,000 pounds a year—to zero...
To read the full piece or listen to the podcast - http://99percentinvisible.org/episode/inflatable-men/
What if the Black Plague had killed off almost all Europeans? Then the Reconquistanever happens. Spain and Portugal don't kickstart Europe's colonization of other continents. And this is what Africa might have looked like.
The map – upside down, to skew our traditional eurocentric point of view – shows an Africa dominated by Islamic states, and native kingdoms and federations. All have at least some basis in history, linguistics or ethnography. None of their borders is concurrent with any of the straight lines imposed on the continent by European powers, during the 1884-85 Berlin Conference and in the subsequent Scramble for Africa. By 1914, Europeans controlled 90% of Africa's land mass. Only the Abyssinian Empire (modern-day Ethiopia) and Liberia (founded in 1847 as a haven for freed African-American slaves) remained independent.
This map is the result of an entirely different course of history. The continent depicted here isn't even called Africa [1] but Alkebu-Lan, supposedly Arabic for 'Land of the Blacks' [2]. That name is sometimes used by those who reject even the name 'Africa' as a European imposition. It is therefore an ideal title for this thought experiment by Swedish artist Nikolaj Cyon. Essentially, it formulates a cartographic answer to the question: What would Africa have looked like if Europe hadn't become a colonizing power?
To arrive at this map, Cyon constructed an alternative timeline. Its difference from our own starts in the mid-14th century. The point of divergence: the deadliness of the Plague. In our own timeline, over the course of the half dozen years from 1346 to 1353, the Black Death [3] wiped out between 30 and 60% of Europe's population. It would take the continent more than a century to reach pre-Plague population levels. That was terrible enough. But what if Europe had suffered an even more catastrophic extermination – one from which it could not recover?
To read more - http://bigthink.com/strange-maps/africa-uncolonized
The 66-year-old singer-songwriter, musician, actor, and producer, who once reinvented himself as a gender-bending extraterrestrial rock star named Ziggy Stardust, as well as an emotionless Aryan superman named The Thin White Duke, then looked through the couple’s refigerator and, noted they still had a jar of Mario Batali pasta sauce and a “pretty full” box of lasagna noodles in the cupboard...
The Ouija board is so simple and iconic that it looks like it comes from another time, or maybe another realm. The game is not as ancient as it was designed to look, but those two arched rows of letters have been spooking people for over 125 years. Actually, the roots of the board go back even farther, according to Ouija historian Robert Murch. To understand where Ouija boards (generically called “talking boards”) come from, you have to go back to middle of the 1800s, to three sisters in New York.
[The Fox Sisters, Credit: Wikimedia Commons]
The Fox Sisters claimed to be mediums to the spirit world. In public demonstrations, they would ask questions of the spirits and receive audible knocks back on the wall, which they would translate into letters of the alphabet. The sisters popularized the growing movement known as Spiritualism,which held that the living could contact the spirits of the dead, who had secret knowledge to impart.
During and after the Civil War, people who had lost loved ones became enchanted with the idea of communicating with the dead, and came up with all different ways to contact the spirit world. In 1886 the fledgling Associated Press ran an article in papers all over the country about these new “talking boards” coming out of the spiritualist movement in Ohio. A few years later in 1890, a businessman named Charles Kennard pulled together a small group of investors and formed the Kennard Novelty Company to exclusively make and market talking boards...
Ouija, it turned out, was also a great thing to do on a date. The original Ouija board was placed on your lap, so your knees would be touching your partner’s knees. Your fingers would be touching your partner’s on the planchette. You might be playing by candle light. However romantic Ouija may have been, it was still innocent enough for Normal Rockwell, who made a painting of a Ouija-playing young couple that appeared in the Saturday Evening Post.
As of 2013, there’s a new version of the Ouija board, which has been redesigned to look even older than the classic board. “They’ve really gone for the older look,” says Ouija historian Robert Murch, “which is cool because people assume these boards have been around for thousands of years, which we know isn’t true, but belief is important to the Ouija board.”
Belief is very important to the Ouija board, especially subconscious belief. Which brings us finally, to how these things work. In 1852, an English physician and researcher named William Carpenter was studying Spiritualist phenomena, and coined the term “ideomotor effect.” The ideomotor effect describes what happens when subconscious thoughts guide muscular movements.
According to Professor Chris French, of the Anomalistic Psychology Research Unit at Goldsmith’s University of London, the ideometer effect can explain why, on the Ouija board, the planchette seems to be moving on its own. In truth, the players are guiding its movement subconsciously.
Some researchers have even tried to study the subconscious using Ouija boards.
To read the full article - http://99percentinvisible.org/episode/o-u-i-j-a/
Horror, fashion, and the end of the world … things get weird as we explore the undercurrents of thought that link nihilists, beard-stroking philosophers, Jay-Z, and True Detective.
Today on Radiolab, a puzzle. Jad’s brother-in-law wrote a book called 'In The Dust of This Planet'.
We talk nihilism with Eugene Thacker & Simon Critchley, leather jackets with June Ambrose, climate change with David Victor, and hope with the father of Transcendental Black Metal - Hunter Hunt Hendrix of the band Liturgy. Special thanks to Thrill Jockey for use of the Liturgy song 'Generation'. It's from their album Aesthetica, out now, which is highly recommended listening for the end times.
In 1956, photographer Gordon Parks was hired by Life Magazine to follow and document the everyday life of a southern Black family. Twenty of these photos were published in Life’s September issue that year with an article titled “The Restraints: Open and Hidden.”
Of course, Parks snapped many more photos than actually made it to print, but these were thought to be lost. However, in early 2012 the Gordon Parks Foundation was going through several storage boxes and came upon a taped-up paper package labeled, “Segregation Series.” In it they found 70 more color photographs from Parks’ 1956 work.
Here are just a few of the pics, both the published and the rediscovered…
Who knew that some noises could eventually become as extinct as the passenger pigeon? Depending on your age, you or your kids or grandchildren may have only heard some of the following sounds in old movies, if at all.
The formerly familiar swooosh as the caller rotated the dial clockwise to the "finger stop" and then the click-click-click as the dial returned counter-clockwise to the start position is now a novelty application that you can install on your iPhones for nostalgic yuks. Adolescents waiting in line nearby will wonder what the heck that sound is, while we older fogies will know you're poking fun at us and our ancient ways.
Manual typewriters had an entire subset of unique sounds that made them immediately identifiable...at one time. The keys clacked loudly as they struck the paper, the carriage lifted up with a distinct clunk when the shift key was employed, and then there was the ping of the bell warning you that you were nearing the end of the line. That meant you had to lift your left hand from the keyboard and swipe at the carriage return lever, which caused a sort of ziiiiip noise as you pushed the carriage back to the starting position.
Record changers allowed you to stack a selection of albums of 45s (seven-inch singles, not guns!) for your longer-term listening pleasure. Each record would make a soft slap sound as it dropped onto the turntable, a series of clicks followed as the remaining records adjusted into place and the tone arm swung over and lowered the needle into the outer grooves of the record. You'd hear the slightest scritch noise as the stylus settled just so into the vinyl and then (finally!) the music began.
One of the jobs of the classroom A/V squad captain was to run the film projector on movie days. The rapid tick-tick-tick of the sprockets really was that loud and usually accompanied by shouts of "Turn it up!" and, of course, "Focus!"
11. BROKEN RECORD
Nelson Mandela, the civil rights leader who rose from a small village in rural, apartheid-era South Africa to become the country's first black President, died on Thursday at age 95. Mandela's election in 1994 ended three centuries of European domination of indigenous African people of the region.
